Chinese guqin performer Li Fengyun is deputy director of Guqin Professional Committee of China, Kun Opera & Guqin Research Institute, vice president of China Nationalities Orchestra Society, president of Tianjin Guqin Association, professor at Tianjin Conservatory of Music. Graduated from the Tianjin Conservatory of Music in 1985, she stayed in the Tianjin Conservatory of Music as a teacher and founded her specialty in guqin. She was a disciple of guqin masters Chen Chong, Li Xiangting, Xu Jian and Li Yunzhong. In 1987, she came under Mr. Zhang Ziqian’s tutorship, a master of the Guangling Qin School, and gained the essence of the Guangling Qin School. Up to now, Li Fengyun has held nearly 100 performances of and lectures on guqin. She has also held Concerts in Hong Kong, Moscow, and Taiwan in China, as well Singapore, Malaysia, Japan, the United States, Poland, Ukraine, Portugal, and so on.
Over the years, Li Fengyun has devoted herself to promoting guqin culture. In 2002, she performed for UNESCO experts in Beijing, together with flautist Dr. Wang Jianxin, in a collaborative effort to apply for the world’s intangible cultural heritage for guqin. Since 1999, she has performed “Xiao Sheng Qin Yun” concerts in Beijing Concert Hall, Zhongshan Concert Hall and Tianjin Concert Hall every year, which has been warmly received by the audience. Li Fengyun collected the journals of Zhang Ziqian, Cao Man Suo Ji, who was a guqin master of the Guangling School, and participated in the editorial work of New Edition of the History of Guqin by guqin historian Xu Jianwen, and contributed an epilogue. In the meantime, she published a great number of personal albums as well as many academic papers, in significant contribution to the heritage of guqin.
李鳳雲，古琴演奏家，中國崑劇古琴研究會古琴專業委員會副主任，中國琴會副會長，天津古琴會會長，也是天津音樂學院教授，碩士生導師。1985年畢業於天津音樂學院並留校任教，創建天津音樂學院古琴專業學科。師從古琴大師陳重、李祥霆、許健、李允中諸先生。1987年拜廣陵琴派大師張子謙先生為師，深得廣陵琴派精髓。至今，李鳳雲已經舉辦近百場古琴獨奏、蕭聲琴韻、古琴進校園演出、講座。也在包括香港、莫斯科、新加坡、馬來西亞、日本、美國、波蘭、烏克蘭、葡萄牙、台灣、澳門等地舉辦音樂會。
多年來，李鳳雲致力古琴文化的傳播，2002年，她與笛簫演奏家王建欣博士在北京為聯合國教科文組織的專家演出，目的為古琴申報「世界非物質文化遺產」。她自1999年起每年均在北京音樂廳、中山音樂堂、天津音樂廳等演出「簫聲琴韻」音樂會，受到聽眾的熱烈歡迎。為了更好地傳播古琴，李鳳雲還整理了已故廣陵派古琴大師張子謙的琴學日記《操縵鎖記》；整理編輯古琴史學家許健文先生文稿《琴史新編》並撰寫後記。同時也出版多張個人專輯，琴曲打譜十餘首，琴歌打譜三十餘首，發表多篇學術論文等，為古琴的傳承作出了諸多貢獻。